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Marjorie Och, art history, UMW|moch@umw.edu
Bernini 2013
  • Home
  • Introduction
  • Influence of Michelangelo
    • Michelangelo’s David vs Bernini’s David
    • Pieta vs Ecstasy of St. Teresa
    • Dying Slave vs St. Sebastian
    • Dome of St. Peter’s vs Baldacchino
    • Conclusion
    • Bibliography
    • List of Illustrations
  • Fathering a Master
    • Comparisons of Stylistic Intentions
    • Involvement in the Paragone
    • An Oedipal Interpretation of David
    • Gianlorenzo’s Portrait of Pietro
    • Conclusion
  • Truth Unveiled by Time
    • The Bell Tower Disaster
    • The Theme of Truth Unveiled
    • Urban VIII’s Bell Towers
    • Innocent X and the Pamphili
    • Borromini’s Role
    • Bernini and Truth
    • Bibliography
    • List of Illustrations
  • Sculpting Rome’s Waters
    • Rome’s Waters Before Bernini
    • Expanding the Aqueducts
    • Bernini’s First Fountain
    • Barcaccia
    • Urban VIII’s Warship
    • The Fountain of Triton
    • The Fountain of the Bees
    • A Fountain for Innocent X
    • Fountain of the Four Rivers
    • Innocent’s Obelisk
    • The Ganges
    • The Nile
    • The Rio de la Plata
    • The Danube
    • Neptune and the Moor
    • List of Illustrations
    • Bibliography
  • Projects for the Louvre
    • First Project
    • Second Project
    • Third Project
    • Fourth Project
    • Portrait Bust of Louis XIV
    • Equestrian Statue of Louis XIV as Marcus Curtius
    • Conclusion
    • Bibliography
    • List of Figures
  • Redefining Papal Tombs
    • Precedents in Tomb Design
    • Pope Urban VIII as Patron
    • The Tomb of Pope Urban VIII
    • Pope Alexander VII as Patron
    • The Tomb of Alexander VII
    • Other Funerary Monuments
    • Papal Tombs after Bernini
    • List of Figures
    • Papal Tombs Bibliography
  • The Power of Absolution
    • Siena Cathedral
    • The Chigi Chapel
    • Bernini’s St. Mary Magdalene
    • Bernini’s St. Jerome
    • A Question of Balance
    • Mary Magdalen: Saint and Sinner?
    • Jerome: Doctor of the Church
    • Other Portrayals of Mary Magdalen
    • Other Portrayals of Jerome
    • Conclusion
    • Bibliography
    • List of Illustrations
  • The Angels of the Ponte Sant’Angelo
    • History of the Ponte S.Angelo
    • Bernini’s Project
    • Angels of the Ponte S. Angelo
    • Ponte S. Angelo Bibliography
    • Ponte S.Angelo List of Figures
  • Bernini’s Influence on Rodin
    • First Trip to Italy
    • Final Trip to Italy
    • Rejecting the Baroque
    • Rodin’s Sculpture Prior to Italy
    • Capturing Movement
    • Mythological Sculptures
    • Conveying Emotion
    • Portrait Busts
    • Preparatory Terracotta
    • List of Figures
    • Bibliography
  • Map
  • Resources
  • Video

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Projects For the Louvre

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Sculpting Rome’s Waters: Bernini’s Monumental Fountains

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Donec Ornare Turpis Eget

Photography, Wordpress

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Mauris Fringilla Voluts

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Proin Sodales Quam

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Nam Viverra Euismod

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Curabitur Malesuada Lorem

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Suspendisse Pharetra Urna

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Quisque Sit Amet Unte

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About Us

This is an online exhibit curated by students in ARTH 470s: Bernini, at the University of Mary Washington, spring 2013.

Photo Credits

Kaylah Rodriguez
Isabel Smith
Hannah Ridenour
Lara Belfield
Mary Williams
Mary Williams
Nicole Dacales
Rachel Crist
Rachel Crist
Kerry Longbottom

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  • The 2013 Bernini Online Exhibit | University of Mary Washington
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