The Influence of Bernini on Rodin: Bibliography

Mary Williams

 

Primary Sources

Besnard, Albert. Sous le ciel de Rome : souvenirs. Éditions de France, 1925.

Rodin, Auguste. Art: Conversations with Paul Gsell. Translated by Jacques de Caso and Patricia B. Sanders. Los Angeles, California: University of California Press, 1984.

Baldinucci, Filippo. The Life of Bernini. Translated by Catherine Enggass. University Park: The Pennsylvania State University Press, 1966.

Bernini, Domenico. The Life of Gian Lorenzo Bernini. University Park, Pennsylvania: The Pennsylvania State University Press, 2011.

Secondary Sources

Arnason, H. H. and Elizabeth C. Mansfield. History of Modern Art. 6th ed. Upper Saddle River, NJ: Pearson Education, Inc., 2010.

Bacchi, Andrea, Catherine Hess, et al. Bernini and the Birth of Baroque Portrait Sculpture. Los Angeles, California: The J. Paul Getty Museum, 2008.

Bartlett, Truman H. “Illustrated Life of Rodin: the foremost of French sculptors of the day,” American Architect and Building News 25, no. 682-703 (January-June 1889): 27-29, 44-45, 65-66, 99-101, 112-114, 198-200, 223-225, 249-251, 260-263, 283-285.

Boucher, Bruce. Italian Baroque Sculpture. London: Thames and Hudson, 1998.

Butler, Ruth. Rodin in Perspective. Englewood Cliffs, New Jersey: Prentice-Hall Inc., 1980.

Butler, Ruth. Rodin: The Shape of Genius. New Haven, Connecticut: Yale University Press, 1996.

Chabrun, Jean-François and Robert Descharnes. Auguste Rodin. Edison, New Jersey: Chartwell Books, 1967.

Cladel, Judith. Rodin. Translated by James Whitall. New York: Harcourt, Brace and Company, 1937.

Albert E. Elsen, “The Gates of Hell” by Auguste Rodin (Stanford California, Stanford University Press, 1985.

Elsen, Albert Edward. In Rodin’s Studio: A Photographic Record of Sculpture in the Making. Ithaca, New York: Cornell University Press, 1980.

Elsen, Albert Edward. Rodin. New York: Museum of Modern Art, 1963.

Elsen, Albert Edward. Rodin’s Art: The Rodin Collection Iris & B. Gerald Cantor Center for Visual Arts. Oxford University Press, 2003.

Fagiolo dell’Arco, Maurizio. Bernini: Una Introduzione al Gran Teatro del Barocco. Roma: M. Bulzoni, 1967.

Gantner, Joseph. Rodin und Michelangelo. Wien: Verlag Anton Schroll & Co., 1953.

Gibson, Eric. “Bernini’s Feats of Clay,” New Criterion 31, no. 4 (December 2012): 38. http://web.ebscohost.com.ezproxy.umw.edu/ehost/pdfviewer/pdfviewer?sid=7d6d72e1-6e86-43bc-947a-0997875ded57%40sessionmgr12&vid=6&hid=28 (accessed April 2013).

Goldscheider, Ludwig and Sommerville Story. Rodin Sculptures. London: Phaidon, 1996.

Goldsmith, Elizabeth Edwards. Sacred Symbols in Art. New York: G. P. Putnam’s Sons, 1911.

Grunfeld, Frederic V. Rodin: A Biography. New York: Henry Holt and Company, 1987.

Hibbard, Howard. Bernini. London: Penguin Books, 1990.

Hills, Helen. Rethinking the Baroque. Burlington, Vermont: Ashgate Publishing Company, 2011.

Lampert, Catherine. Rodin: Sculpture and Drawings. London: Arts Council of Great Britain, 1986.

Lanchner, Carolyn. Constantin Brancusi. New York: Museum of Modern Art, 2010.

Lavin, Irving. Bernini and the Unity of the Visual Arts. New York: Oxford University Press, 1980.

Loos, Adolf. Ornament and Crime: Selected Essays. Edited by Adolf Opel. Ariadne Press, 1998.

Rilke, Rainer Maria. Rodin. Translated by Robert Firmage. Salt Lake City, Utah: Peregrine Smith, Inc., 1979.

Shanes, Eric. Constantin Brancusi. New York: Abbeville Press, 1989.

Varnedoe, Kirk. “Early Drawings by Auguste Rodin.” The Burlington Magazine 116, no. 853 (April 1974): 197-204, http://www.jstor.org/stable/877671 (accessed February 2013).

Wallace, Robert. The World of Bernini: 1598-1680. New York: Time-Life Books, 1970.

Winckelmann, Johann Joachim. Essays on the Philosophy and History of Art 1.  Translated by Curtis Bowman and Henry Fuseli. New York: Continuum International Publishing Group, 2005.

Wittkower, Rudolf. Bernini: The Sculptor of the Roman Baroque. London: Phaidon Press Ltd., 1997.

Wöfflin, Heinrich. Renaissance and Baroque. Translated by Kathrin Simon. Ithaca, New York: Cornell University Press, 1966.