Redefining Papal Tombs: Bibliography

Hannah Ridenour

 

Primary Sources:

Baldinucci, Filippo. The Life of Bernini. Translated by Catherine Enggass. University

            Park: The Pennsylvania State University Press, 1966.

Bernini, Domenico. The Life of Gian Lorenzo Bernini. University Park, Pennsylvania: The

            Pennsylvania State University Press, 2011.

Ripa, Cesare. Baroque and Rococo Pictorial Imagery: The 1758-60 Hertel edition of Ripa’s ‘Iconologia’ with 200 engraved

               illustrations. New York: Dover Publications, 1971.

 

Secondary Sources:

Bacchi, Andrea, Catherine Hess, et al. Bernini and the Birth of Baroque Portrait Sculpture.

            Los Angeles, California: Getty Publications, 2008.

Bauer, George C. “Bernini’s ‘Pasce oves meas’ and the Entrance Wall of St. Peter’s.”

            Zeitschrift für Kunstgeschichte 63 (2000): 15-25.

Bernstock, Judith. “Bernini’s Memorial to Maria Raggi.” The Art Bulletin 62 (June 1980),

            243-255.

_______, Judith E. “Bernini’s Memorials to Ippolito Merenda and Alessandro Valtrini.”

            The Art Bulletin 63 (June 1981), 210-232.

Fehl, Philipp P. “Bernini’s ‘Triumph of Truth over England.’” The Art Bulletin. 48 (1966):

404-405.

__________. “Hermeticism and Art: Emblem and Allegory in the Work of Bernini.”

            Artibus et Historiae 7 (1986): 153-189.

Fischer, Robert. St. Peter’s Basilica in Rome: A Handout for Tours or for Independent

            Exploration of the Basilica. Regensburg: Schnell and Steiner, 2011.

Hibbard, Howard. Bernini. London, England: Penguin Books, 1965.

Janson, H.W., ed. Sources and Documents in the History of Art Series. Englewood Cliffs, New Jersey: Prentice-Hall, Inc.,

             1970.

Lavin, Irving. “Bernini’s Death.” The Art Bulletin. 54 (June 1972), 158-186.

Lingo, Estelle. “The Evolution of Michelangelo’s Magnifici Tomb: Program versus Process

            in the Iconography of the Medici Chapel.” Artibus et Historiae. 16 (1995), 91-100.

Metzger Habel, Dorothy. “Bernini’s d’Aste Family Tombs in S. Maria in Via Lata, Rome:

            A Reconstruction.” The Art Bulletin 79: 2 (June 1997): 291-300.

Montagu, Jennifer. Gold, Silver, and Bronze: Metal Sculpture of the Roman Baroque.

            Princeton, New Jersey: Princeton University Press, 1996.

_____________. Roman Baroque Sculpture: The Industry of Art. New Haven: Yale

            University Press, 1989.

Panofsky, Erwin. Tomb Sculpture: Four Lectures on Its Changing Aspects from Ancient

            Egypt to Bernini. New York: Harry N. Abrams, Inc., 1992.

Posèq, Avigdor W.G. “On Physiognomic Communication in Bernini.” Artibus et

            Historiae 27 (2006): 161-190.

Reardon, Wendy J. The Deaths of the Popes: Comprehensive Accounts, Including Funerals,

            Burial Places and Epitaphs. Jefferson, North Carolina: McFarland & Company,

            Inc., 2004.

Rice, Louise. The Altars and Altarpieces of New St. Peter’s: Outfitting the Basilica, 1621-

            1666. Cambridge: Cambridge University Press, 1997.

Scotti, R.A. Basilica, the Splendor and the Scandal: Building St. Peter’s. New York: Penguin

            Group, 2007.

Spear, Richard E. “Scrambling for Scudi: Notes on Painters’ Earnings in Early Baroque

            Rome.” The Art Bulletin 85 (June 2003): 310-320.

Wittkower, Rudolf. Art and Architecture in Italy, 1600-1750. Vol. 2, High Baroque. Yale

            University Press, 1999.